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So You Want
To Be A Freelancer
Teacher: Elena
Fawkner
What's the difference between
running your own home-based business and freelancing? (tick,
tick, tick ...) Give up? Me too. If you want to work for yourself
from home and have a special talent or skill that you think
others would be prepared to pay for on an hourly or per-project
basis, why not stop thinking in terms of the traditional "home
business" paradigm and start thinking in terms of freelancing
instead?
WHAT IS A FREELANCER?
Quite simply, a freelancer is
an independent contractor who earns his or her living by contracting
for projects on a project by project basis. A freelancer is
not an employee of anyone and so he or she must actively seek
out work, negotiate the terms and conditions of the project
(the contract) and complete the work to the satisfaction of
the client. Once the project is complete, the freelancer seeks
out and enters into another contract for another project.
Alternatively, the freelancer
may have obligations under a number of different contracts
with different clients at the one time.
Another variation involves the
freelancer producing work and then seeking buyers for that
work. A freelance writer of magazine articles, for example,
would fall into this category.
WHO HIRES A FREELANCER?
Those who hire freelancers are
as diverse as freelancers themselves. In some cases, companies
will hire freelancers to complete a short-term project as an
alternative to hiring a new employee. This is often the case
where the work in question is spasmodic or ad hoc and the company
cannot justify hiring an employee for such work. Companies
also hire freelancers to help smooth out the peaks and troughs
in workload. Again, where there is a temporary oversupply of
work, the company will hire the freelancer on a short-term
basis to help cope with the backlog.
In other cases, companies hire
freelancers for their special expertise in a certain area.
A company may want to create a new website, for example. Hiring
a freelance website designer for such a project makes more
sense than hiring a website designer as an employee since once
the website is complete, the function will no longer be required.
Magazine and newspaper editors
also hire freelancers or, more precisely, buy rights to freelancers'
work. A freelancer in this type of situation may write a piece
and submit it to a number of different editors in the hope
that his or her work will be "picked up" by that editor and
published, in return for which the freelancer receives payment.
By its nature, such an approach is speculative since the freelancer
can't be sure that anyone will actually buy the work. Of course,
once the freelancer has been published, it is relatively easier
to get the editor to buy the freelancer's work in the future
and, as the freelancer's reputation grows, so too do the opportunities
for future business.
WHAT QUALIFICATIONS DOES A FREELANCER
NEED?
To be financially successful,
a freelancer obviously needs marketable skills. A freelancer
therefore needs the same qualifications, skills and talents
as someone who had been hired as an employee to do the job
would need. In other words, if you are seeking work as a freelance
website designer, you must possess the same skills and qualifications
that a full-time employee website designer would possess.
IS A FREELANCER RUNNING A BUSINESS?
In short, yes. If you do not
have an employer, if you have to source your own work and negotiate
your own terms, if you have to chase payment, if you have to
pay your own taxes (i.e. no one is withholding them from your
check), you are, in essence, self-employed. Ergo, you are running
your own business.
There are a number of consequences
you need to think about. The first is taxation. You need to
set aside from every payment you receive an amount sufficient
to cover your state and federal taxes on the income you receive.
Likewise, you need to keep proper books and records so you
can claim the deductions and expenses to which you are entitled
as a self-employed person.
As a freelancer, like any independent
contractor, you will also be expected to provide your own equipment
and supplies. If you are a website designer, you need to have
your own computer, software and other tools of the trade. The
party hiring you will not provide this stuff for you. Similarly,
if you are a freelance editor, you will be expected to have
all the reference materials and style books, word processing
programs and other sundry items any editor would need to do
the job.
From a legal point of view, you
should also give some thought to the legal entity of your business.
Will you be a sole proprietor or will you incorporate? If you
incorporate, will you choose S-corporation status? There are
important tax consequences of each of these alternatives so
be sure to get advice from your accountant before starting
and then talk to your lawyer about incorporation.
Think also about what licenses
you may need as well as insurance (health, life and liability
depending on the nature of the work).
WHERE DOES A FREELANCER FIND
WORK?
OK, onto the nitty gritty. You've
decided to start work as a freelance website designer. You
have the appropriate qualifications, training, experience and
equipment and you've consulted your accountant to determine
the most tax-effective business structure and your lawyer to
set up your new company and advise you in relation to issues
such as business licenses and fictitious business names. You're
ready to hang out your shingle. Now what?
= Approach Your Warm Market
Start with who you know. Where
did you get your website design experience? If it was with
an employer, consider whether that employer may not be a source
of business for you. That will obviously depend on the circumstances
under which you parted company but if you left on good terms
and didn't burn any bridges on your way out, by all means contact
your former employer and let him or her know that you are now
in business for yourself and ready, willing and able to take
on new projects. If possible, get a reference or testimonial
too. That will come in handy when it comes to touting for new
business from strangers.
Next, turn to your network of
business associates you developed while working for your former
employer. Note, we're NOT talking about clients of your former
employer, rather your own network of colleagues. Contact them
and let them know about your new venture and your availability
for project work.
Be extremely cautious about approaching
clients of your former employer if your current business puts
you in even indirect competition with that employer. In fact
you may be contractually constrained from approaching former
clients if you signed a non- compete covenant in your employment
contract, for example.
= Create Brochure/Resume
Go to the time and expense at
this stage to prepare some sort of resume of your experience
and services. Get this professionally printed as a brochure
and send it, together with your business card, to your former
employer and colleagues as a follow-up to your conversation.
By giving them something tangible about you, it is more likely
that you will come to mind when next they have a need for your
services. If you've already provided them with your brochure/resume,
when the time comes, the person concerned will think "hey,
Joe's doing this sort of thing now. Where's that information
he sent? Oh, here it is. I'll give him a call and see if it's
something he might be able to do for us."
= Approach Your Cold Market
Once you've approached your so-called "warm
market", it's time to start on the cold. Start by gathering
up a list of businesses in your local area or industry that
you think would have use of your services. Prepare a letter
of introduction and send it, together with your business card,
to your list of prospects. Your letter of introduction should
make it very clear why you are writing. Identify yourself and
the specific skills that may appeal to the reader and why.
Follow up in a week with a telephone
call to make sure the materials arrived safely. If the other
person is approachable, try and strike up a conversation about
what you could do for the business. Otherwise, thank the person
for their time, ask them to keep you in mind for future work
and calendar to contact them again in 30 days' time.
Continue to work your market
like this. Remember, persistence pays off. Don't be discouraged
if you receive little warmth or interest in response to your
approaches to your cold market. It takes time and persistence.
Just don't take it personally. A good way to approach it is
to tackle a fixed number per day. Start out by making a list
of, say, 300 businesses you want to approach. Develop your
list from the Yellow Pages, local library and the web to start
with. Calendar to approach 10 businesses a day for the next
30 days. That means ten calls a day, followed by 10 letters
of introduction (together with a copy of your brochure/resume
and business card) and a follow up phone call a week later.
Where there is interest, you
may be able to schedule a meeting. Where there is no interest,
schedule for a further follow up call in 30 days. If there
is still no interest, schedule for a further call in 90 days.
Or maybe you would prefer to do something else to stay in contact.
A good way is to publish a newsletter for your clients and
colleagues. Make it relevant to the recipient and it's a good
way of keeping your name in front of your prospects. A quarterly
newsletter is probably frequent enough. Send it, with another
of your business cards, to your list and, over time, you will
see that it will start paying off in the form of business.
= Samples
Another idea to think about is
to produce a set of samples of your work; a portfolio if you
will. Make 8.5 x 11 copies of your work and keep them in an
artist's portfolio for presentations when you're able to arrange
face to face meetings with potential clients.
= Advertising and Promotion
Next comes advertising. If you're
a website designer, possibly your best advertisement is your
own website. But don't stop there. Advertise in the publications
your target market reads.
Another good way to generate
business is to join associations and groups affiliated with
your industry. Chambers of Commerce are a good place to make
handy contacts.
You will probably find that in
the early stages of your freelance career you spend more time
marketing yourself and your services than you spend actually
working. There's a financial cost to that, of course. How do
you finance your marketing if you don't have any money coming
in? For this reason, the early days will be lean and mean.
Make sure you have the financial wherewithall to survive this
period.
HOW DOES A FREELANCER MAKE MONEY?
You will only make money as a
freelancer if you charge more that it costs you to do the work
in terms of your time, expenses and materials. Factor in a
profit component to every job you quote for and make sure that
that profit component is in ADDITION to an allowance for your
time. For more on pricing your services, see "Pricing Yourself
To Get and Stay In Business", at http://www.ahbbo.com/pricing.html
.
Some freelancers charge by the
hour and others by the project. In reality, you will probably
use a combination of both methods depending on the nature of
the job and the client.
You can get an idea of current
market rates by surveying your competitors. Don't be obvious
about it though; competitors are, naturally enough, reluctant
to divulge information about their businesses to their competitors.
So you'll probably need to employ a bit of subterfuge here
by posing as a potential customer, for example. In fact, it's
in your legal interests that your competition doesn't give
you pricing information if it knows you're a competitor. Such
conduct can be construed as price fixing which can land both
of you in extremely hot water. So, keep it safe and use circuitous
methods of obtaining pricing information from competitors.
PROTECTING YOURSELF
A question often asked by freelancers
is "do I need a contract?". Well, to start with, once you've
negotiated a deal with a new client you have a contract. The
question is whether it's oral or in writing. An oral contact
is just as enforceable as a written one but the problem becomes
one of proof. How do you prove the terms of your contract if
all you have is one person's word against another's? For this
reason, a written contract is always a good idea. It needn't
be anything too elaborate. In fact, even an exchange of letters
will do. Just be sure to include the basic terms:
= Describe the job
What must you do to perform the
contract? Be as specific as possible here and try not to be
open-ended. "Create a website for client" is too vague. What
would you do if the client came back after you'd finished and
said, "but there's no shopping cart, there's no feedback form?" and
you hadn't quoted your time for these things in striking the
price? Better to say, "Create website at client's direction
consisting of (a) home page; (b) products and services page;
(c) order page; (d) shopping cart and (e) feedback form". By
requiring the client to be very specific about what it is they
want from their website, how they want it to look etc. you
can go a long way to avoiding misunderstandings caused by vagueness.
= Set the price
State in unequivocal terms the
price you are to receive for the job. This can be either a
project cost such as $5,000 or an hourly rate such as "$150
hour or part thereof; minimum of ten (10) hours" or whatever.
= State time for performance
Performance means not only when
you will complete your part of the bargain (i.e. delivering
the completed website to the client) but when the client must
complete his or hers (i.e. by paying you).
FROM THE COAL FACE
Here's what real-life freelancers
have to say about the freelance life ...
= Once you leave the workforce
and start freelancing, it can be very difficult to get back
in and the older you are the harder it is. Once you've been
out of corporate life for any length of time, the more likely
it is that employers, rightly or wrongly, will see you as not "corporate" enough
to fit back into the traditional 9 to 5 routine.
= Isolation and loneliness. No
surprise there. It's the same bugaboo that anyone working alone
from home must face. For ways of overcoming the isolation monster,
see "Overcoming Isolation In Your Home Business" at http://www.ahbbo.com/Overcoming_Isolation.html
.
= Procrastination. Again, a common
problem for many who work from home without a boss to crack
the whip. For ways of overcoming procrastination, see "Overcoming
Procrastination In Your Home Business" at http://www.ahbbo.com/Overcoming_Procrastination.html
.
= Hard times with no checks in
sight.
= Pay is usually better. A very
good freelancer can generally do much better than the average
employee doing the same work but it takes time to develop a
reputation that people are prepared to pay a premium for.
= You have to chase payment.
Not everyone is going to pay you merely because you tender
your invoice so be prepared to have to spend precious time
chasing payment from slow payers. For more on getting paid
see "Getting Paid ... Minimizing Bad Debts In Your Home Business".
It's at http://www.ahbbo.com/gettingpaid.html .
= If you don't like cold-calling,
selling and marketing yourself, freelancing is not for you.
A good proportion of your time will be spent doing exactly
that.
When you think of all the things
the freelancer must do to generate business and income, it
quickly becomes apparent that freelancing is really just another
term for working for oneself. It brings with it the same challenges
and opportunities as any home business and really doesn't introduce
anything new to the mix. Hopefully, though, this article may
have got you thinking about YOUR skills and talents and how
they could form the basis of a home business of your own. For
all you know, you may not need to go out and find widgets to
sell to start your own business. Start with what's already
in your own head and everything else will surely follow.
About the teacher:
Elena Fawkner is
editor of A Home-Based Business Online ... practical business
ideas, opportunities and solutions for the work-from-home entrepreneur. http://www.ahbbo.com
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